Yndling
Dream pop infused with shoegaze and trip-hop, unfolding in a world both cinematic and deeply intimate
Yndling is known for immersive soundscapes where shimmering guitars, expansive synths, and intimate vocals drift between dream pop, shoegaze, and trip-hop. Drawing inspiration from artists such as Cocteau Twins, Beach House, Portishead, Massive Attack, Mazzy Star, and Men I Trust, her music balances ethereal soundscapes with emotional depth, creating songs that feel both cinematic and deeply personal.
Since her debut, Yndling has quietly built an international following through a distinctive sonic world and a series of acclaimed releases. Her sophomore album, “Time Time Time (I'm in the Palm of Your Hand)”, released in late 2025, marked a defining moment, earning support from BBC 6 Music, Radio Eins, and major Spotify editorial playlists while further establishing her as one of the leading voices in the new wave of European dream pop.
On stage, Yndling translates her richly layered recordings into immersive live performances, where swirling textures, hypnotic rhythms, and haunting melodies invite audiences into her world. As her audience continues to grow internationally, she returns to the road throughout autumn 2026 with dates across China, the UK, and Europe, further establishing herself as one of the defining new voices in contemporary dream pop.
FOR FANS OF: Cocteau Twins, Beach House, Slowdive
Botanique
Saint-Josse-Ten-Noode
Concert
Yndling
OVERMONO (LIVE)
Welsh brothers present their second album 'Pure Devotion'
Following the release of their second album, ‘Pure Devotion’, in early August, OVERMONO are setting off on their eponymous world tour! On Sunday 15 November, the duo – comprising brothers Tom and Ed Russell – along with special guest Blawan, will set Ancienne Belgique in Brussels alight with this new creative chapter, alongside their best-known tracks.With their energetic and innovative shows, the Russell brothers never fail to completely captivate both audiences and the press. They have already made a strong impression in Belgium too, with intense concert moments at a sold-out Ancienne Belgique, at Rock Werchter and at the Dour Festival. Their debut album ‘Good Lies’ received rave reviews, thanks in part to standout tracks such as “So U Kno” and “Blow Out”. Collaborations with artists including Joy Orbison, Fred again.., Lil Yachty and Kwengface have put Overmono on the map as one of the leading names in the contemporary British electronic scene. The Welsh duo are pushing the boundaries of their sonic universe even further with their second album. ‘Pure Devotion’ is their most ambitious musical statement to date and is set to further cement their status as one of this decade’s leading dance acts. The album focuses wholeheartedly on the human side of music, at a time when everything feels increasingly artificial. Emotion takes precedence over detachment, and craftsmanship over pure efficiency. The tracks on ‘Pure Devotion’ will undoubtedly create moments of wild excitement during Overmono’s live shows in 2026 and long afterwards.
Blawan (special guest)
Ancienne Belgique
Brussels
Concert
OVERMONO (LIVE)
KETCLUB: JEN
Pommelien Thijs’s lead guitarist presents her first album
This is the second time that AB takes part in Kunstendag voor Kinderen (Arts Day for Children). We are organising a KETCLUB* with JEN, the pop-rock project led by 24-year-old Jente Neels. Behind JEN is no unknown: Jente Neels has performed in the past as musician for the likes of Sylvie Kreusch and is currently lead guitarist with Pommelien Thijs. With JEN, she chooses to firmly focus on her own music and story. A fresh sound, solid guitars and sharp, catchy hooks that stick with you are rapidly earning her a name within the Belgian pop scene. Things took off with the release of her debut single in October 2024: JEN has played own shows nationally and abroad, and appeared as opener for Pommelien Thijs, Compact Disk Dummies, Sylvie Kreusch and even British pop star Lola Young. The band makes its mark live with energetic shows and solid festival summers that included visits to the likes of Suikerrock, Beach Festival, Crammerock, Moen Feest and Zeverrock. Dat momentum was matched on the radio too, where JEN singles were to be heard on the likes of StuBru, Radio Willy and Radio 1. Her long-awaited debut album is to be released at the end of 2026 and she’ll be marking the occasion with two shows in our AB Club: one in the evening for an adult audience and a KETCLUB in the afternoon for the very youngest pop fans and their parents. Be there, to discover one of the most exciting new pop acts of the moment in an intimate setting! *What is KETCLUB? KETCLUB is a complete concert, but tailored to children. Artists play a shorter set (max. 45’) at a lower volume, perfect for more sensitive ears. A unique outing in a warm, cosy setting is assured. House rules Adult companions purchase a ticket for KETCLUB. This entitles them to bring along up to two children free of charge. Unaccompanied youth aged between 12 and 18 are also welcome with their own purchased ticket (with or without parents). Adults not accompanying a child may not purchase a ticket for this concert.
Ancienne Belgique
Brussels
Concert
KETCLUB: JEN
Sunday Morning concert: Daimon (Eric Thielemans & Jozef Dumoulin)
An adventurous trip through the twilight zone between composition and improvisation
Jozef Dumoulin & Eric Thielemans present DAIMONWith DAIMON, two key figures from the Belgian jazz, improvisation and experimental scene are joining forces for the first time on record as a duo. Pianist and electronic music architect Jozef Dumoulin and drummer/percussionist Eric Thielemans share more than twenty-five years of musical history, but have never before come together to create a full-length duo recording.What began as a casual two-day studio session in Antwerp evolved into a particularly intense musical document. Without a pre-determined plan, Dumoulin and Thielemans set out to explore what still drives them today: listening, investigating, experimenting and probing the boundaries of their musical practice. Their conversations about music, artistic freedom and the place of improvisation in an increasingly commercial landscape were just as much a part of the process as the ensemble playing itself.The result is a fascinating musical world in which repetition, gradual transformation and subtle rhythmic shifts take centre stage. The compositions unfold slowly and invite a profound listening experience in which time seems to stretch out and sound is constantly changing form.The title DAIMON refers to the twilight zone between light and shadow, to the space in which music eludes clear stylistic definitions. The album embraces ambiguity, nuance and the unknown, and showcases two musicians who, with great care and mutual trust, create a universe of their own.Line-up:Jozef Dumoulin — piano, keyboards, electronicsEric Thielemans — drums, percussion
Ancienne Belgique
Brussels
Concert
Sunday Morning concert: Daimon (Eric Thielemans & Jozef Dumoulin)
SOWETO GOSPEL CHOIR
Cirque Royal
Brussels
Concert
SOWETO GOSPEL CHOIR
Coke Studio Sessions: JEN
Release of debut album with solo pop-rock project
JEN is the pop-rock project of 24-year-old Jente Neels. A fresh sound, bold guitars and sharp hooks that stick with you mean she is rapidly establishing a name for herself on the Belgian pop scene.Things have moved fast since her debut single in October 2024: JEN has played her own shows at home & abroad and appeared as support-act for the likes of Pommelien Thijs, Compact Disk Dummies, Sylvie Kreusch and even British pop star Lola Young.The band makes its mark live too, with energetic shows and solid festival summers featuring visits to Suikerrock, Beach Festival, Crammerock, Moen Feest and Zeverrock, amongst others. That momentum is also reflected on the radio, where JEN’s singles have been heard on stations including StuBru, Radio Willy and Radio 1.JEN is no stranger to the music scene: Jente Neels played previously as a musician for artists like Sylvie Kreusch and guitarist with Pommelien Thijs. For JEN, she resolutely chooses to focus on her own music and story.Her long-awaited debut album is due out at the end of 2026. JEN will celebrate that release on 15 November 2026 with a show here at AB. A next step for a project that is rapidly developing into one of the most exciting new pop acts of the moment.
FINN
Ancienne Belgique
Brussels
Concert
Coke Studio Sessions: JEN
Santiago Cruz
Espace Lumen
Brussels
Concert
Santiago Cruz
BOTA KIDS: Children's games
The Cikada Ensemble invites young and old alike on a musical journey through nocturnal animal revelry and children's games from around the world. Bonus: discover MUS-E's DROOM DRONE installation before the concert.
A musical morning for young and old, filled with dreams, games and funny animals.
Before the concert, starting at 10:00 AM , discover DROOM DRONE, a participatory project by MUS-E Belgium created with students from an OKAN class at the Anneessens-Funck school and artists Ewoud Van Eetvelde and Jeroen Smets. Dreams, memories, voices, and rhythms intertwine in a living sound sculpture, around which the artists offer spontaneous visual and musical interventions. The audience is free to listen, experiment, or participate at their own pace.
At 11 a.m. , it's time for BOTA KIDS: CHILDREN'S GAMES . Do fish sing? Do birds play? Can animals be poets? Yes! Animals can be creative and imaginative, and among humans, perhaps children are the ones who sense this best.
The excellent Cikada Ensemble, from Norway, takes its name from cicadas, which also vibrate and sing. Its ten instrumentalists offer a concert specially designed for families, sure to pique the listener's curiosity. We'll listen to the sounds of fish singing along the Great Barrier Reef ( Seafloor Dawn Chorus by Kristine Tjøgersen), African children hurtling down hillsides wrapped in tires ( #29 by Pierre Slinckx, set to a video by Francis Alÿs), and even nocturnal animal celebrations… because in Kristine Tjøgersen's work, a special guest of Ars Musica 2026, bats dance too!
Cikada Ensemble
Ars Musica
Brussels
Concert
BOTA KIDS: Children's games
Supersuckers + Manitou @La Source
La Source Beer Co
Laeken
Concert
Supersuckers + Manitou @La Source
Zimmer90
Modern electronic indie pop with smooth grooves and a bright, uplifting feel
Zimmer90 is an alternative electro-pop duo from Germany, consisting of best friends and creative partners Finn and Joscha. The duo blends soft, danceable beats with Joscha’s warm voice, creating a modern indie-pop sound that has garnered a fast-growing fanbase. Their design-led vision merges music with immersive experiences, combining aesthetics and visual storytelling across digital content, live shows, and collaborations.
Zimmer90’s debut album Interior charted at #18 on the German Album Charts and has surpassed 150 million streams, earning the duo a Spotify RADAR feature and a 2025 Music Moves Europe Awards nomination. Known for both their strong streaming presence and dynamic live shows, they’ve played over 150 concerts across 17 countries, selling 18,000+ headline tickets and performing for nearly 300,000 fans, with sold-out shows in Berlin, Brooklyn, and LA, a successful EU tour, major festival appearances, and support slots for acts like Parcels, building a growing audience across Germany, the UK, and the US.
Botanique
Saint-Josse-Ten-Noode
Concert
Zimmer90
feeble little horse
Indie rock with saturated, abrasive guitars — a chaotic and addictive blend of noise pop and shoegaze
feeble little horse is naturally delighted to present their third full - length LP, bitknot . The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.
A spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re - imbue a sanctity of interdepen dence away from consumptive “self - sufficiency” and materialism. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through t he grid of wires, like a knot that stores secret details and memories.” bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever - developing hybr id reality is expertly exemplified in the album’s production – the buoyancy of Kinsler’s arrangements provide a perfectly balanced surface tension for the weight of Slocum’s meandering introspection as they playfully harmonize against saccharine hooks, wal ls of noise, a supercharged car battery’s worth of synths and samples dropped in the ocean of their guitar - driven songwriting framework, and some of Kelley’s most laser - focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.
Rhymes written with sidewalk chalk that refuse to be erased in the Anthropocene’s acid rain of destructive relationships, Herbert Marcuse’s One - Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City’s industrial ghosts, a study of the clumsy alchemy of IRL and WWW - it is within these rhizomatic contradictions that bitknot proliferates.
Botanique
Saint-Josse-Ten-Noode
Concert
feeble little horse
Faux Real
Botanique
Saint-Josse-Ten-Noode
Concert
Faux Real
Horse Lords presents 'Demand To Be Taken To Heaven Alive!'
Intense, hypnotic and uncompromising
Horse Lords is not a conventional band, but a continually reconfiguring sound system that has been exploring the boundaries of rock, minimalism and experimental music since 2010. Emerging from the fertile Baltimore eco-system around noise and outsider art, but always with a broader perspective. Rhythm becomes architecture, microtonality a motor for movement and friction. Their music balances between mathematical precision and physical drive. Their influences are as omnivorous as they are keenly chosen: Julius Eastman and La Monte Young, but equally James Brown and Roscoe Holcomb. The spirit of Fluxus lingers, through figures like George Maciunas and Henry Flynt. Collaborations with composers like Arnold Dreyblatt – which resulted in the acclaimed album Extended Field – deepen their interest in just intonation and structural clarity. Since 2021, Horse Lords has been partly based in Germany, which opened up new performative and orchestral possibilities. Live, this translates into an interplay between quartet-discipline and collective-expansion. On their album Demand To Be Taken To Heaven Alive! (RVNG Intl.), which is to be released in June 2026, the format is subtly expanded with wind instruments and vocals. Bass clarinet, trombone and vocals colour the tight framework without letting it go.References range from Anni Albers’ textile structures to Islamic geometry, and from electronic pioneers such as Maryanne Amacher to the conceptual clarity of Tom Johnson. The title refers to Vladimir Majakovski and does not suggest escape but rather intensification. Not in the afterlife, but focused on an “eternal now”. Repetition as ritual, change as necessity. Horse Lords doesn’t sound like a genre, but like a proposal.“Horse Lords construct layers of punching, syncopated phrases using just intonation, drawing from krautrock, African polyrhythms and classical minimalism.” - PitchforkNina Garcia is one of the most exciting voices in contemporary experimental guitar music. Using just a guitar, a pedal and an amplifier, she creates intense soundscapes that strike a balance between improvisation, noise and pure emotion. Her recent album ‘Bye Bye Bird’ was released on the renowned Ideologic Organ label and has been praised by Thurston Moore, amongst others.Live, Garcia draws her audience into a compelling world of tension, feedback and surprising silences. A unique and uncompromising opener for this evening.
Nina Garcia
Ancienne Belgique
Brussels
Concert
Horse Lords presents 'Demand To Be Taken To Heaven Alive!'
PRESIDENT
Since their formation in 2025, PRESIDENT have shrouded themselves in anonymity. With every single and live show, they continue to build a mysterious image, focusing not on identity or genre, but on the purpose of the music. The band has made a conscious decision not to spoon-feed their fans, but rather to let them discover things for themselves. The mix of heavy guitars, electronic experimentation and a cinematic atmosphere has already generated millions of streams. Yesterday they released the new single “DOOM LOOP”, which also offers a taste of their debut album. ‘Blood Of Your Empire’ is due out on 4 September and, in their own words, stems from a personal existential crisis and a search for meaning surrounding religion and mortality."Religion has inspired incredible compassion, purpose, and beauty in the world — but it has also been responsible for unimaginable suffering and bloodshed throughout history. This album lives in the tension between those two truths. Writing it became a way for me to confront the fear, confusion, and questions I’ve carried for years, and turn them into something I’m truly proud of.” – PRESIDENTFollowing a US tour supporting Bad Omens, PRESIDENT is coming to Europe this autumn for a headline tour of their own.The PRESIDENT EARLY ENTRY AND MERCHANDISE EXPERIENCE includes:One general admission ticketEarly entry into the venueMerchandise collection experience – merchandise package and premium collectible itemExclusive commemorative laminate & lanyardFree giveawaysAll packages are NON-REFUNDABLE and NON-TRANSFERABLE.NO REFUNDS will be given under any circumstances except in the case of show or package cancellation. NO NAME CHANGES will be permitted under any circumstances. You will need to bring a photo ID on show day to collect the contents of your package. You will be contacted in the week prior to show date with detailed collection instructions.
Vianova, Dreamwake
Ancienne Belgique
Brussels
Concert
PRESIDENT
I MUVRINI
Cirque Royal
Brussels
Concert
I MUVRINI
Master Boot Record + Fulci
Synth metal with extreme guitars, chiptune and retro digital aesthetics
MASTER BOOT RECORD (aka MBR) is a Computer Metal project founded in 2016 by producer Vittorio D’amore mixing together heavy metal and synthesized electronic music.
Starting in 2016 releasing albums under the indie chiptune/demoscene label Data Airlines has moved in 2018 to Blood Music to expand its audience to the electronic scene. In 2019 MASTER BOOT RECORD settled with Metal Blade Records, the historic metal label based in Los Angeles to release the latest two albums “Floppy Disk Overdrive (2020)” and “Personal Computer(2022)” helping the project to gain increased popularity worldwide. MBR has also produced the video game “VirtuaVerse” as well as its original soundtrack. VirtuaVerse was released in 2020 on all gaming platforms as well as Nintendo Switch, Xbox and Playstation.
The project as a live band increased their live activity in 2022 including live performing artists such as the guitar virtuoso and Ibanez endorser Edoardo Taddei at lead guitars and technical death metal drummer Giulio Galati.
MBR released 14 albums so far with multiple record labels and has been one of the most successful musicians on US digital distribution platform Bandcamp charting #1 in general charts several times. Because of that Bandcamp often featured the albums and made interviews directly with the artist.
In 2024–2025, MASTER BOOT RECORD expanded globally with the release of “Hardwarez” (Metal Blade Records, October 2024), followed by an extensive world tour across North America, Canada, the UK, and Europe between September and November 2024, totaling more than 40 shows.
The band recently toured as support for the french electronic metal band Igorrr across Europe and is confirmed to perform at more European festival such as Brutal Assault, Mystic Festival, Motocultor, Arc Tangent and more to be announced.
Fulci
Where death metal collides with cult horror cinema, Fulci creates sonic nightmares inspired by the legendary films of Lucio Fulci.
Fulci is not just a death metal band, it’s a cinematic horror experience. Taking their name from the legendary “Godfather of Gore,” Lucio Fulci, the band merges their two deepest passions: death metal and horror cinema.
Deeply inspired by the blood-soaked imagery and atmosphere of Lucio Fulci’s films, the band pays homage to the maestro by crafting concept albums that channel his vision into extreme music.
With four full-length albums and a live session already released, several reaching their sixth reissue, Fulci has carved out a unique space in the international death metal scene. Their relentless touring has taken them across the United States as both headliners and tour support for icons like I Am Morbid, Suffocation, Cannibal Corpse, and Municipal Waste, while in Europe they have crushed major festivals including Party.San, Brutal Assault, and Obscene Extreme. Currently signed to 20 Buck Spin Records, Fulci stands at the forefront of modern death metal.
A Fulci live show is more than a concert, it’s a horror movie brought to life. Through immersive video projections, chilling lights, eerie synthesizers, and theatrical staging, their performances blur the line between stage and screen. In September 2023, the band premiered their first short film and original soundtrack with a special performance inside a movie theater, further pushing the boundaries of metal and cinema.
Beyond music, Fulci maintains a creative partnership with the fashion powerhouse Slam Jam, producing exclusive events, products, and performances. Their impact has earned recognition from heavyweights like Max Cavalera, filmmaker Eli Roth, and Dwid Hellion, while KERRANG! Magazine named them among the “50 Bands That Revitalized Death Metal in the Last 10 Years” securing the #35 spot on the list.
Fulci is more than a band. It’s gore. It’s horror. It’s death metal redefined.
arottenbit
From the violence of HARDCORE PUNK concerts to the heaviness of SLUDGE METAL, all the way to the hallucinatory state of certain dawns spent dancing at the worst TECHNO afterparties with a pounding bass. In an opulent age where everything is consumed quickly, arottenbit blends genres using an obsolete tool, an old NINTENDO GAME BOY rescued from the trash. A children's toy, now used to awaken the nightmares of adults.
“If punk taught us that you don't need to know how to play an instrument to make music, today we learn that you don't even need to own a musical instrument to make music!”
From 70 to 240 bpm on a heavy and furious journey, encompassing all the influences that a metropolis can offer during its darkest nights. arottenbit is an experimental music project founded in 2008 in Milan by Italian sound engineer Alessandro "Otto" Galli. With a radical approach to electronic music, it blends chiptune, sludge metal, techno, and hardcore punk, transforming the Game Boy into a sonic weapon that obliterates any notion of nostalgia.
Since 2025, the live project has taken on the name AROTTENBIT DRUMS COMMANDO, featuring two drummers: Riccardo Nicoloso (SLUG GORE) and Edoardo Nicoloso (FULCI), brothers who alternate behind the kit to deliver a new level of devastating impact, further amplifying the power and physicality of the show.
Driven by the urge to push chiptune beyond its traditional boundaries, Otto founded arottenbit, contaminating it with extreme and industrial sounds. His background as a sound engineer led him to collaborate with internationally renowned artists such as Deafheaven, Earth, Messa, Pallbearer, and Truckfighters, shaping his experimental approach to music production.
Despite being active live since 2008, arottenbit’s first official album, "You Don’t Know What Chiptune Is", was released only in 2024, after years of demos and intense live performances. Meanwhile, arottenbit carved its path through hundreds of shows, building a reputation for high-energy performances that captivated both audiences and industry professionals.
arottenbit’s electrifying live energy led to three European tours alongside Master Boot Record, as well as numerous gigs in major clubs and international festivals, including Roadburn, Hellfest, and Brutal Assault. Throughout its career, the project has shared the stage with Melvins, Atari Teenage Riot, Melt-Banana, Full of Hell, Sanguisugabogg, and HORSE the Band, among many others.
arottenbit continues to evolve and challenge the boundaries of electronic music, creating a visceral and immersive experience that resonates with audiences worldwide. With every performance, the project proves that chiptune can be as heavy and intense as any extreme genre.
Botanique
Saint-Josse-Ten-Noode
Concert
Master Boot Record + Fulci
Pearly Drops
Pearly Drops is the creative synergy of producer-duo Sandra Tervonen and Juuso Malin, forging pop music that glows with cinematic textures and ethereal vocals. Having honed their craft through award-winning collaborations and design projects, they channel a moody, modern approach that merges dreamlike minimalism with a bold sense of craft.
Known for their distinct, softly smudged sound, Pearly Drops self-produce every aspect of their work—ensuring each release resonates with a raw and immersive authenticity, poised on the cusp of something new.
FOR FANS OF: Warpaint, MUNA, Washed Out
Botanique
Saint-Josse-Ten-Noode
Concert
Pearly Drops
Au Pairs
Legendary cult band is back in full force
Au Pairs is a post-punk band that was originally established in 1978 and soon became a true cult band. Legendary journalist Lester Bangs once said: “Last night I saw God in the form of the Au Pairs”. After a long hiatus, the band has reformed with a new line-up that includes original frontwoman Lesley Woods – once described as “one of the most striking women in British rock”. Together with Estella Adeyeri (Big Joanie) on bass, Alex Ward (known for his work with Thurston Moore and Pere Ubu) on guitar and Jem Doulton (also associated with Thurston Moore) on drums, Woods breathes new life into the band’s repertoire and underscores its continued relevance in a contemporary context. Au Pairs is known for combining politically engaged and feminist themes with a danceable sound, driven by a tight rhythm section and edgy, duelling guitars heavily influenced by funk. Their live shows are direct and compelling: rhythm-driven, tightly executed and focused on forging a strong connection with the audience. The result is a set that feels as urgent as it is intense, and leaves the audience energised and fully engaged.
Mek'dr'dr
Ancienne Belgique
Brussels
Concert
Au Pairs
Eluveitie
Explosive blend of metal and traditional Celtic music
Eluveitie was founded in 2002 by Chrigel Clanzmann and has its roots in the heart of the Swiss Alps. The band is strongly inspired by Celtic history, mythology and spirituality. Since their first EP “Vên” (2004), Eluveitie has set the tone with a unique mix of melodic death metal and traditional folk. Later albums such as “Slania”, “Everything Remains (As It Never Was)”, “Helvetios” and “Origins” reinforced their international reputation. With the acoustic albums “Evocation I” and “Evocation II”, they also demonstrated their versatility in all its facets. Over the years, Eluveitie underwent several line-up changes, including the arrival of violinist Lea-Sophie Fischer in 2024. However, the essence of the band remained unchanged. With nine studio albums and countless worldwide tours, Eluveitie remains an indispensable pillar of the modern metal scene. 'ÀNV' (2025) is the latest addition to their extensive discography and also one of their most profound and sincere albums. The album is the result of more than twenty years of intense work to pass on Celtic mythology and spirituality to a new generation. After their appearance at Ancienne Belgique with Arch Enemy in 2025, Eluveitie will return to the iconic Brussels venue on 17 November, this time as headliners. An evening not to be missed!
Pain, WOLFHEART
Ancienne Belgique
Brussels
Concert
Eluveitie
URIAH HEEP
Cirque Royal
Brussels
Concert
URIAH HEEP
Duo s’Embra
Festival Osmose: Accordion – Cello Concert
Duo s’Embra presents a contemporary programme that is both intimate and immersive, highlighting an unusual instrumental combination: cello and accordion. Their musical connection and the rich sound world of the duo create a rare sense of closeness with the audience.
Festival Osmose: Accordion – Cello Concert
Duo s’Embra presents a contemporary programme that is both intimate and immersive, highlighting an unusual instrumental combination: cello and accordion. Their musical connection and the rich sound world of the duo create a rare sense of closeness with the audience.
Committed to new music, they regularly collaborate with composers to develop new works, expanding a repertoire that remains largely unexplored. Their approach focuses on creating a direct, sensitive and deeply expressive musical experience.
Bram van Weverberg - accordéon
Emmanuel Tondus - Violoncelle
Espace Toots
Evere
Concert
Duo s’Embra
PAN AMSTERDAM WITH THE FREE BAND
Tibo Brandalise Drums
Kenny Ruby Electric Bass
Greg F Electric Guitar
Florian Pellissier Piano/Keyz
Leron Thomas Voc/trp
Pan Amsterdam aka Man Funk is a musical enigma wrapped in an enduring riddle. His creator is a jazz musician from Houston who’s found fame working with Detroit punk rock God, Iggy Pop, and British indie royalty, Metronomy, and now makes shapeshifting, adventurous hip hop out of the music’s spiritual home, New York. He’s an irreverent character born out of frustration and named after a misunderstanding, yet one whose most recent release, “Confines” was a record of truth-slaying, genre-crossing rhymes and beats. So, who is Pan Amsterdam? Everything you want him to be. And more besides. He reunites with his beloved live band. From working with Guts to Iggy Pop, Tibo Brandalise, Florian Pellissier, Kenny Ruby, and Greg Faque (all French natives) have been side by side with Pan Amsterdam. He will be featuring his new album "PANARAMA" out on the label Def Presse
Sounds Jazz Club
Ixelles
Concert
PAN AMSTERDAM WITH THE FREE BAND
Unfolding Nature
The world-renowned composer Kristine Tjøgersen highlights the ties between music and nature throughout the ages, the subject of her dissertation.
UNFOLDING NATURE - Nature Expressed through Classical and Contemporary Composition: this is the title of the dissertation written by the Norwegian composer Kristine Tjøgersen (b. 1982, Oslo) as part of her studies at the Anton Bruckner University in Linz, Austria.
Today, she is a globally recognized composer and collaborates with prestigious ensembles and orchestras (such as the Kronos Quartet, Klangforum Wien, WDR Sinfonieorchester, and Oslo Philharmonic). The central theme in her music is nature, and how we are an integral part of it. Sensitivity and a touch of humor combine with a deep love for sound and a continuous dialogue with other domains (particularly with biology).
Kristine Tjøgersen is participating in a music history session at the Royal Conservatory of Brussels. The encounter, open to everyone, will focus on the link between music and life. Throughout the centuries, numerous artists have explored such connections in diverse ways, from Clément Janequin, Jean-Philippe Rameau, and Claude Debussy to John Cage… and Kristine Tjøgersen.
Kristine Tjøgersen
Joseph Jongen Auditorium of the Royal Conservatory of Brussels
Brussels
Concert
Unfolding Nature
Maria Arnal
Maria Arnal is one of the most innovative voices in contemporary Spanish music. Based in Barcelona, she blends electronics, avant-pop and traditional polyphonic music with projects at the intersection of sound, technology and art. Her work has received widespread acclaim and numerous awards, including the Premi Ciutat de Barcelona (2017), RTVE’s Ojo Crítico (2018), Premio Ruido (2022), Premi Continuarà (2024), an Honorary Mention at Ars Electronica’s S+T+Arts Prize (2024) and a Gaudí Award (2025).
She has performed at major festivals like Sónar and on international stages including TED Talks in Vancouver. In 2025, she presents new music at Sónar and appears at leading venues such as the CERN Art and Science Summit, the Venice Dance Biennale, Romaeuropa and Iceland Airwaves.
As a composer, she develops innovative works such as Flors de veu (2025), a mixed-reality installation using AI, alongside AIR (Venice Architecture Biennale 2021) and SIRENA (2022), a generative choral piece interacting with Barcelona’s data. She also co-directs Cada capa de l’Atmosfera (CCCB), a sonic essay on climate awareness nominated for two Ondas Awards.
In parallel, she collaborates closely with choreographer Marcos Morau, composing for pieces like Afanador, Sonoma and La mort i la primavera (2025), where she also performs. In 2024, she presented Maria CHOIR, and composed the award-winning soundtrack for Polvo Serán, as well as music for La Virgen Roja.
Her research into AI-generated voice feeds into AMA, her first solo album and international tour, released in February 2026 with Atlantic Records.
Botanique
Saint-Josse-Ten-Noode
Concert
Maria Arnal
Luther
SUBLIME TOUR
(@lutherantz + @rounhaa + SUBLIME CLUB*)TWELVE CITIESTWO DAYSTWO CONCERTSONE CLUB
Ancienne Belgique
Brussels
Concert
Luther