belgisch design belge
A pop-up laboratory where the successive presentations that are sometimes subjective and never exhaustive will be representative of Belgian design. Pieces from different eras, materials, statuses and natures build side by side a history of design in Belgium. For this first selection, objects from the plastic design collection – the particularity of our institution – interact with pieces of modern and contemporary design from the King Baudouin Foundation.
Design Museum Brussels
Laeken
Exhibitions
belgisch design belge
the Plastic Design Collection
the Plastic Design Collection pays tribute to the diverse and heterogeneous plastic design that has transformed our domectic environment since the 1950s. From material to object and from object to society, the permanent exhibition from this collection develops a cultural history of design.
Design Museum Brussels
Laeken
Exhibitions
the Plastic Design Collection
Val Saint-Lambert & Design
In 1826, François Kemlin and Auguste Lelièvre founded the public limited company ‘Verreries et Établissements du Val Saint-Lambert’ in Seraing. The glassworks quickly benefited from considerable investment, which promoted technical progress, the growth of exports and the promotion of a young national industry. In 1879, they became Cristalleries du Val Saint-Lambert, a key player that successively bought up several glassworks and, between 1880 and 1914, enjoyed a real golden age: more than 5,000 workers, outlets all over the world and a reputation consolidated by prestigious participations in the World’s Fairs, from 1894 in Antwerp to 1925 in Paris. Throughout its existence, Val Saint-Lambert has successfully reinvented itself, navigating the Art Nouveau era, the 1930s and the post-war period by collaborating with renowned artists and designers: Léon Ledru (1855–1926), the Muller brothers (Henri Muller, 1868–1936; Désiré Muller, 1877–1952; Eugène Muller, 1883–1914), Charles Graffart (1893–1967), René Delvenne (1901–1968), Yan Zoritchak (born in 1944) and Philippe Starck (born in 1949).
In 2026, Cristalleries will celebrate its bicentenary. To mark this anniversary, the Design Museum Brussels is joining forces with several museums and scientific institutions to highlight this jewel of Belgian industrial heritage and creativity. In collaboration with the Charleroi Glass Museum and curated by Catherine Thomas and Anne Vanlatum, the exhibition Val Saint-Lambert & Design at the Design Museum Brussels is dedicated to the creative output of Val Saint-Lambert from the 1958 World’s Fair to the early 2000s, a period that witnessed an unprecedented creative renewal. It embodies Val Saint-Lambert’s desire to preserve craftsmanship while bringing it into the modern era and engaging in constant dialogue with design. In line with the American Studio Glass movement, it opened its doors to international artists and designers who, alongside the crystal factory’s master glassmakers, experimented with new forms and pushed the boundaries of creation. Crystal, a material that symbolises artisanal excellence, became the medium for bold creations, combining traditional know-how with aesthetic innovations. Created in 1989 under the impetus of director Patrick Depuydt, the Crystal Studio marked a decisive step in the history of Val Saint-Lambert.
Through this joint exhibition, the Design Museum Brussels and the Charleroi Glass Museum invite their visitors to discover the Crystal Studio, a founding chapter in the contemporary history of glass, reflecting the dynamism, the innovation and the international influence of the Cristalleries du Val Saint-Lambert.
Design Museum Brussels
Laeken
Exhibitions
Val Saint-Lambert & Design
Icons, 20 years Designer of the Year
In 2006, the first “Designer of the Year” award was presented in Belgium. The prize was originally established by the Interieur Biennale and the magazines Knack Weekend and Le Vif Weekend, and was awarded that year to Brussels-based designer Alain Berteau. Over the years, various partners joined the initiative, and it grew into a well-established reference in the Belgian design landscape.
Twenty years later, the list of laureates reads as a best-of-the-best of what the country has to offer in contemporary design: from ceramic designers and silversmiths to product and lighting designers. Concepts such as innovation, originality, and ecology are often central to their work. The list includes names such as Muller Van Severen, Alain Gilles, Nedda El-Asmar, Julien Renault, and Linde Freya Tangelder. On the occasion of the 20th edition of the title, all twenty names come together in an exhibition at MAD Brussels, on view from 1 October to 12 December.
MAD Brussels
Brussels
Exhibitions
Icons, 20 years Designer of the Year
Future Generation, MAD Graduation Show 2026
A ceramic installation evoking a rural interior and textiles made from reclaimed cardboard collected in Brussels. Following its annual tradition, the group exhibition 'Future Generation: The MAD Graduation Show' celebrates the winners of the MAD Graduation Prize 2026 while showcasing their innovative graduation projects. No fewer than seven institutions are represented in the exhibition: Académie Royale des Beaux-Arts de Bruxelles, College of Art and Design, Ateliers Saint Luc, École supérieure des arts Saint Luc, Haute Ecole Francisco Ferrer, La Cambre and LUCA School Of Arts. From textile design and interior design to industrial product development and fashion design, a total of 14 winners are honoured at MAD Brussels from 1 October to 12 December.
MAD Brussels
Brussels
Exhibitions
Future Generation, MAD Graduation Show 2026
Soft Assemblies
Augusta Gallery presents Soft Assemblies, an exhibition highlighting innovative techniques of joining, weaving, and braiding. Through research and experimentation, six European designers interlace reused and natural elements to create new forms and transform spaces.
Augusta Gallery presents Soft Assemblies, an exhibition highlighting innovative techniques of joining, weaving, and braiding. Through research and experimentation, six European designers interlace reused and natural elements to create new forms and transform spaces.
For this exhibition, Agnieszka Mazur crafts sculptural lamps and objects from discarded sand, inspired by the traditional sandcastles on the beaches of Zeeland. The collaboration between Amandine David and Esmé Hofman explores contrasts by combining digital techniques and basketry to create sculptural containers. Textile designers Juliette Berthonneau and Justine Gaignault experiment with textures, juxtaposing dense patterns with translucent areas as they felt linen and wool weaves into decorative and functional textiles. Laure Kasiers unveils new wall rugs featuring abstract motifs, employing a technique she developed using interlaced strips of wool and linen.
The exhibition explores a new facet of the transformation of materials through connections, intertwining, and the rhythm of successive layers.
Agnieszka Mazur, Amandine David and Esmé Hofman, Juliette Berthonneau and Justine Gaignault, Laure Kasiers.
Augusta
Brussels
Exhibitions
Soft Assemblies
Trouble Parfait
Two generations, two worlds, two approaches and a multitude of materials come together in dialogue in Hectare’s new exhibition.
A regular at the gallery since Miroir Miroir with his reworkings of camera lenses, Jiro Kamata (b. 1978, Hirosaki, Japan – lives and works in Munich) propels them into new dimensions. These ‘optical gems’, once destined to capture light and preserve memories, now give way to laboratory-grown quartz. The real and the unreal pass through the sensory portal of his Celestial Eyes. Mutations, distortions and reflections take centre stage in a parallel world inspired by astronomy, mythology and spirituality.
Extreme meticulousness and the utmost attention to detail are echoed in the illusions – very different, yet equally fascinating – created by Benedict Haener (b. 1992, lives and works in Lucerne, Switzerland). Under the title Kill your darling, from sandpaper to sugar cubes and sour sweets, the artist reinterprets the everyday, pulverises precious materials, initially devaluing them only to imbue them with new value through unique pieces that are wildly technical and irresistibly playful.
Whilst each of these creators’ approaches embodies a pop aesthetic that is resolutely contemporary, they nonetheless contain a nostalgic or fantastical element woven into their work.
It is at this intersection that the scenographic collaborators of Trouble parfait come into play. Through the speckled ceramic of her photo frames, Léna Babinet (b. 1994, Paris – lives and works in Brussels) creates a disruption. The image is missing; the reflection is absent. What remains is the object – recognisable as ever – and its intimate mystery, its vibrant presence, its familiar strangeness. As if freshly picked, Olga Flór’s (b. 1995, based in Eindhoven) sunflowers capture the fleeting and the shifting at the heart of a boldly impure eternity.
Contemporary jewellery exhibition: Jiro Kamata, Benedict Haener
Hectare Galerie
Ixelles
Exhibitions
Trouble Parfait
Identita - The Story of Czech Graphic Design
From 16 October 2026 to 7 March 2027, the Design Museum Brussels presents Identita – The Story of Czech Graphic Design, an exhibition dedicated to more than a century of graphic design in the Czech Republic. The exhibition explores the role of graphic design in shaping the country’s identity and bears witness to the profound political, social and cultural changes that have marked its history.
Located in Brussels, the capital of Belgium and home to the main institutions of the European Union, the Design Museum Brussels also aims to serve as a showcase for European creativity and the diversity of its design cultures. With this in mind, the museum regularly hosts temporary exhibitions that offer a particular European country’s perspective on its history and design culture. Identita is part of this initiative, inviting visitors to Design Museum Brussels to discover the history and distinctive characteristics of Czech graphic design, while placing them within a broader European context.
Graphic design plays an important role in the way a country presents itself and shapes its identity. Posters, books, magazines, logos and national symbols not only tell the story of their time, but also reflect the social developments of their era. Since the beginning of the 20th century, the development of graphic design in the Czech Republic, and, prior to 1993, in Czechoslovakia, has therefore been closely linked to the country’s turbulent history. The 20th century brought profound changes, from the establishment of an independent state and two world wars to the succession of two totalitarian regimes. After 1989, society and the economy underwent a fundamental transformation, with the transition from a socialist planned economy to a market economy. All of these developments were reflected in the country’s graphic culture.
Through original works and reproductions, the exhibition introduces visitors to some of the most striking examples of Czech graphic design and to the designers behind them. Each work is presented within its cultural, historical and political context. This makes it possible to see how graphic design and society have influenced one another over the years.
Identita at the Design Museum Brussels brings this story to a new audience, offering visitors the opportunity to discover how Czech graphic design evolved over the course of nearly a century in dialogue with politics, technology, everyday life and cultural trends. The exhibition is curated by Filip Blažek and Linda Kudrnovská, in collaboration with curator David Korecký and the team at the Design Museum Brussels for the Brussels presentation.
The touring exhibition Identita is a joint project of the Typo association, Mowshe studio, the Museum of Literature and the network of Czech Centres. The graphic design was created by Marvil studio. The architectural design was developed by Adam Blažek, Jan Kloss and Matěj Činčera of studio Okolo.
Design Museum Brussels
Laeken
Exhibitions
Identita - The Story of Czech Graphic Design
MAD Parcours 2026
From Thursday 12 to Saturday 14 November, MAD Brussels presents the third edition of MAD Parcours, the annual event opening up Brussels’ fashion and design scene to the public. Over three days, Brussels-based creatives take over the city centre, transforming the capital into a vibrant creative trail.
This third edition brings together a diverse range of Brussels-based creatives across studios, boutiques, concept stores, galleries, showrooms and other iconic local addresses. Throughout the parcours, participating venues will host encounters with creatives, collection presentations, launches, demonstrations of craftsmanship, installations, as well as a selection of pieces and objects to discover or (re)discover and, for those who wish, to take home. It is an opportunity to step inside places that may be less familiar, meet the people shaping Brussels’ creative scene, and discover creations, collections and objects that reflect the diversity of approaches and expertise found across the city.
To help visitors find their way, MAD Parcours offers several thematic routes, allowing everyone to explore the city according to their interests. Independent fashion, collectible design, contemporary jewellery, contemporary ceramics or new creative addresses: each route highlights a different facet of Brussels’ rich creative scene, while encouraging visitors to venture beyond the usual circuits and rediscover the independent businesses that form part of it. A printed map, available at MAD Brussels and at participating venues, allows everyone to freely create their own itinerary and explore the city at their own pace.
Conceived as a journey of discovery, MAD Parcours offers a different way of experiencing Brussels: by following the thread of its creativity. The event shines a light on both emerging talents and established creatives, celebrates independent businesses and venues, and invites visitors to discover a local scene renowned for its diversity, boldness and spirit of innovation.
This initiative is supported by Entreprendre Bruxelles, Local Guide and the Alderman for Economic Affairs.
MAD Brussels
Brussels
Exhibitions
MAD Parcours 2026
Shaping the Possible. Pierre Lallemand, designer
The Design Museum Brussels presents a unique exhibition dedicated to Pierre Lallemand, an architect and designer from the contemporary Belgian scene. Through a rich and well-documented exhibition route, visitors are invited to discover more than thirty years of creative work at the crossroads of design and architecture.
Preparatory drawings, models, prototypes, objects, furniture, and experimental pieces mark the exhibition and reveal the singular universe of a creator for whom each project is a form of research in itself. The exhibition highlights a body of work in which technical rigour is in constant dialogue with formal freedom, as well as with a critical reflection on our built environment.
Trained in Brussels at the end of the 1970s, Pierre Lallemand developed an early, highly personal approach to design, shaped by experimentation, attention to detail, and a direct relationship with manufacturing. The first part of the exhibition looks back at his beginnings on the Brussels scene of the 1980s, notably through his first lighting designs shown at Galerie Théorème. These pieces already demonstrate an interest in hybrid objects, oscillating between function and sculptural expression.
The exhibition then explores the international dimension of his career. Visitors discover how his experiences in Italy, within the Milan-based firm BBPR, and later in the United States working with César Pelli, profoundly influenced his way of thinking about space, from furniture to architecture, from object to city. This global vision is reflected in the wide variety of projects presented: bicycles, sailboats, sculptures, furniture and architectural studies.
Throughout the exhibition, a coherent and committed approach emerges, in which each work is conceived as an act of visual thinking. For Pierre Lallemand, designing means questioning form, use, and the poetic dimension of the objects that surround us.
The Design Museum Brussels offers an immersive journey into a body of work in constant motion, shaped by the technical, urban, and cultural challenges of our time, and invites visitors to (re)discover design as an open, experimental field, deeply connected to the way we inhabit the world.
Design Museum Brussels
Laeken
Exhibitions
Shaping the Possible. Pierre Lallemand, designer