Permanent collection
The Wittockiana is the museum of book arts and bookbinding in Brussels. Its collection, which comprises almost 3,000 works, is made up of unique books: all of them carry their material history, the testimony of an artist, a bookbinder, or the mark of their author.
The Wittockiana is the museum of book arts and bookbinding in Brussels. Its collection, which comprises almost 3,000 works, is made up of unique books: all of them carry their material history, the testimony of an artist, a bookbinder, or the mark of their author.
In addition to various collections of precious books from the Italian Renaissance to the present day, the museum houses a documentation centre, a collection of precious rattles and a workshop where bookbinding courses are given daily.
Wittockiana: Museum of book arts and bookbinding
Woluwe-Saint-Pierre
Exhibitions
Permanent collection
Collection permanente
The Horta Museum is located in the private house and studio of Victor Horta (1861-1947).
The Horta Museum is located in the private house and studio of Victor Horta (1861-1947). Built between 1898 and 1901 at 23-25, rue Américaine in Saint-Gilles, Brussels, the two buildings are typical of Art Nouveau at its height. The interior decoration has largely been retained, the mosaics, stained glass, and wall decorations forming a harmonious and elegant whole, down to the last detail.
Horta Museum
Saint-Gilles
Exhibitions
Collection permanente
New room on the restoration of Victor Horta's studio house
From 4 February onwards, you can discover the history of the museum's restoration since 1961 in the second drawing studio!
This room, refurbished thanks to the support of the Baillet Latour fund, will be incorporated into the permanent Museum tour.
Thanks to the support of the Baillet Latour Fund, the Horta Museum continues to provide its visitors with access to new areas within the house-cum-studio. Following the opening of the sewing room and darkroom (2018), and the top floor of the house (2019), the first drawing studio was opened in 2020; situated on the second floor of the studio building, it contains Victor Horta’s collection of plaster casts. This year, the second drawing studio, located on the same floor, will also be open to the public !
In this unostentatious room, which was originally occupied by a team of draughtsmen, visitors will be able to learn about the history of the restoration of this house-cum-studio. This room will be incorporated into the Museum tour.
On his return from America after the First World War, Victor Horta left his home and his studios and put both buildings in the Rue Américaine up for sale, moving into a house in the Avenue Louise. The two buildings were divided and the studio became a single family home.
Forty years later, the municipality of Saint-Gilles bought the house (1961). Work on the layout and restorations were carried out by Jean Delhaye, one of Victor Horta’s former students and a champion of his cause. Later, in 1989 and 2014, the second restoration project took place. This was directed by the architect Barbara Van der Wee, together with Françoise Aubry, the Museum’s Curator, whose story of the restoration process was awarded the Europa Nostra prize in 2014.
Through an animated film, the most iconic restoration operations are described in a highly effective and poetic manner, given the complexity of the numerous successive stages involved. It is possible to study this from a more technical angle by analysing and comparing the plans drawn up by Horta, from the first building permit filed in 1898 to the transformations carried out in 1906 and 1908. The longitudinal cross-sections and elevations of the four façades enable us to visualise the spaces that were transformed and restored during the two restoration projects, and they explain the development of elements that were added, dismantled and reconstructed.
In addition to using the film, plans and texts, the aim was also to give this history a tangible quality. Thematic colour charts have therefore been created, displaying the rich palettes of tones and textures to be found in the Museum. These make it easier for visitors to visualise the range of hues used by Horta and to appreciate the refined character of the house.
Each restoration project also brought together professional artisans and restorers, both men and women, who worked behind the scenes. The house-cum-studio has benefitted greatly from their skills and talents. Their portraits are displayed on the end wall as an additional reminder of the importance of expert craftsmanship.
Benjamin Zurstrassen (Curator), Françoise Aubry (Exhibition Curator)
Horta Museum
Saint-Gilles
Exhibitions
New room on the restoration of Victor Horta's studio house
Lace Room
Through previously unseen pieces, recently acquired or specially retrieved from storage, you will plunge into the extraordinary history of Brussels lace. A fabric that has since disappeared.
Lace is an openwork fabric made with a needle or bobbins. The motifs are connected to each other by a background of stripes or mesh. Initially, it was made by hand and later it was mechanised. Lace is distinguished by its techniques, materials, motifs, colours, etc. Most of the time, it is the place where they were first produced that identifies them: Brussels, Mechelen, Valenciennes, Bruges, and so on.
Brussels lace has gained international renown over the centuries. Its finesse, quality and beauty made it the preferred textile of the elites from the 17th century. It found its way to the greatest royal courts of Europe, adorning the apparel of both men and women.
The lace owned by the museum is an integral part of Brussels’ heritage. Several of the items on exhibit are included in the inventory of moveable heritage of the Brussels-Capital Region. Discover an example of lace whose scalloped edges are made up of alternating leaves and flowers.
To be seen in the Lace Room
A piece of recently acquired needle lace
This scarf in point de gaze and cotton was made with a needle. It dates from the second half of the 19th century, but entered the museum’s collections only in 2021, thanks to the gift of the Hynderick de Theulegoet family.
It uses a wide variety of points, allowing every shade of white to create both the motif and the background. All the parts are made separately and then assembled on a background made with a needle.
The lace of Carine Gilson
This Babydoll slip from the Garden of Lace collection, Spring-Summer 2019, is made of a fuchsia mechanical lace stitched onto silk muslin. The stitching of mechanical lace onto silk is the trademark of the House of Carine Gilson. It thus perpetuates expertise in Brussels lace.
The creator has honoured us by agreeing to become the patron of the Lace Room. The museum regularly exhibits an item from her collections.
Fashion & Lace Museum
Brussels
Exhibitions
Lace Room
belgisch design belge
A pop-up laboratory where the successive presentations that are sometimes subjective and never exhaustive will be representative of Belgian design. Pieces from different eras, materials, statuses and natures build side by side a history of design in Belgium. For this first selection, objects from the plastic design collection – the particularity of our institution – interact with pieces of modern and contemporary design from the King Baudouin Foundation.
Design Museum Brussels
Laeken
Exhibitions
belgisch design belge
the Plastic Design Collection
the Plastic Design Collection pays tribute to the diverse and heterogeneous plastic design that has transformed our domectic environment since the 1950s. From material to object and from object to society, the permanent exhibition from this collection develops a cultural history of design.
Design Museum Brussels
Laeken
Exhibitions
the Plastic Design Collection
A century of Belgian comics
Belgian comic book history shines again at the Comic Art Museum
In the mid-20th century, thanks to the inventiveness of its creators and the dynamism of its publishers, Belgium became the European leader in comic book publishing. To reach a wide readership, characters that were born in periodicals quickly crossed borders and expanded beyond frames. Merchandising, advertising, animated films, cinema, radio, television, video games and more, helped the heroes "made in Belgium" take root in the collective imagination, span generations, and even make their way to Hollywood. The exhibition A Century of Belgian Comics reveals the secrets of this epic journey in an immersive, poetic, and all-ages exhibition.
Comic Art Museum
Brussels
Exhibitions
A century of Belgian comics
Are you our superhero?
Did you know Belgium has loads of superheroes, like René Magritte, Sandra Kim and the Red Devils!
But today the superheroes are not feeling so super. Can you help these superheroes accomplish their superheroic duties? With some you’ll need to use your imagination and with others you’d better warm up your vocal cords. If you succeed you can earn a real medal just like them! Super cool, right?!
Practical info
For children aged between 8 and 12, accompanied by an adult.
This is a self-guided activity, without a guide or museum staff. You can accompany your group and your children.
BELvue museum
Brussels
Exhibitions
Are you our superhero?
Museum about Belgium and its history
Everyone knows what is typically Belgian. Or do they? Located in the heart of Brussels, next to the Royal Palace, the BELvue museum let you discover today’s Belgium and its history through seven themes and a gallery of more than 200 Belgian objects.
Everyone knows what is typically Belgian. Or do they?
Located in the heart of Brussels, next to the Royal Palace, the BELvue museum let you discover today’s Belgium and its history through seven themes: democracy, prosperity, solidarity, pluralism, migration, language and Europe.
Have a look at the gallery too: there are more than 200 Belgian objects to view, each one forming a tangible memory of Belgium.
Do you want to discover the museum as a family? Yes, you can!
There are several play tours for children aged 3 to 12 (€1/child). Simply ask at the reception desk.
BELvue museum
Brussels
Exhibitions
Museum about Belgium and its history
After rain comes...
n May 2024, it rained for a whopping 23 days. Few were happy about that new record last spring, but the Sewer Museum is happy to elaborate on this topical issue. With our new theme, we would like to make the general public aware of solutions to manage rainwater more sustainably. Indeed, in cities, water finds it increasingly difficult to penetrate the soil.
Rain is an everyday topic that often comes up. The natural phenomenon continues to occupy our minds, from simple things like our weekend plans to serious concerns like climate change, heatwaves and floods.
But have you ever thought about what exactly happens after a rainstorm? What does rain do to our sewer system in Brussels and what effect does it have on the environment? And wouldn’t we be better off considering rain as a valuable resource rather than something to be disposed of as quickly as possible? All these questions and many more are addressed in the exhibition, through concrete examples and current, innovative solutions.
Sewer Museum
Brussels
Exhibitions
After rain comes...
Fondation Jacques Brel
A permanent digital exhibition.
A permanent digital exhibition.
16 exclusive short-films, the concert van Jacques Brel in the Casino van Knokke in 1963, more than 50 press articles, 300 photos, 30 manuscripten with 10 written during his youth as "Kho Barim" (1944) and "Conte pour rire et pour pleurer" (1948), 80 personaal documents, 60 witnesses from his family, friends and musicians, the full soundtrack (2 hours) of the interview "Brel Parle" in 1971; and 2 jukeboxes : 330 versions of the 169 recorded songs, en 80 versions in foreig languages of the songs "Quand on n’a que l’amour" and "Ne me quitte pas".
More than 16 hours to dicover the great moments of Jacques Brel's life !
Jacques Brel
Brel Foundation
Brussels
Exhibitions
Fondation Jacques Brel
House of Memory / بيت الذاكرة by Basil Al-Rawi
House of Memory / بيت الذاكرة is an immersive Virtual Reality experience by artist Basil Al-Rawi. Based on photographs and oral testimonies from the Iraq Photo Archive, he transforms archival material into a virtual space where memories can be revisited and explored.
In this 15-minute experience, you encounter personal stories of Iraq in the 1970s, as remembered by those who lived there. Through voices and images, Iraq emerges as a space of cultural richness and everyday life, shaped by memory and displacement of its people. The work offers a rare perspective on Iraqi history and diaspora experience.
Basil Al-Rawi works across photography, moving images, sculpture and digital technologies, exploring memory, identity and archival storytelling. The project was developed as part of his PhD research at the Glasgow School of Art.
House of Memory is part of Ireland’s cultural programme for the Presidency of the Council of the European Union.
Bozar - Centre for Fine Arts
Brussels
Exhibitions
House of Memory / بيت الذاكرة by Basil Al-Rawi
Edith Dekyndt x Cristobal Balenciaga
The Fabric Decides
Enter a unique dialogue between Belgian artist Edith Dekyndt and the rarely seen archives of Cristóbal Balenciaga. The exhibition examines the memory embedded in materials and the way they endure through time, revealing unexpected resonances between contemporary art and haute couture. It offers a poetic reflection on the present through gestures, skills, and forms in constant transformation, inviting you to discover this intimate and singular encounter up close.
Bozar - Centre for Fine Arts
Brussels
Exhibitions
Edith Dekyndt x Cristobal Balenciaga
Jean Brusselmans - Painter by nature
In autumn 2026, Bozar will present a major retrospective of the painter Jean Brusselmans (1884–1953), the first comprehensive exhibition of his work since 1980. From the early 20th century onwards, Brusselmans developed a distinctive body of work, independent of artistic trends yet firmly rooted in painterly tradition. His deep connection to the Brabant landscape and his modest way of life are translated into an authentic and recognisable visual language, situated at the intersection of abstraction and figuration. Through some 120 works, the exhibition introduces visitors to the remarkable oeuvre of a still underappreciated Belgian artist. Dialogues with contemporaries such as Fernand Léger, Piet Mondrian and Rik Wouters offer a fresh perspective on his work.
The exhibition also highlights Brusselmans’ decorative commissions for the theatre, including the monumental sets he designed for the first French-language production of the opera Erwartung by Arnold Schoenberg at the Centre for Fine Arts in 1936. These lost stage designs are brought back to life by the contemporary Belgian painter Kristof Santy (b. 1987), who frequently draws inspiration from Brusselmans in his own work.
Bozar - Centre for Fine Arts
Brussels
Exhibitions
Jean Brusselmans - Painter by nature
Alone, Not even scared (to be scared!)
For 20 years, Alone has captivated millions of readers with a question as simple as it is unsettling: what would children do if left to their own devices in a world without adults?
This summer, the Comic Art Museum in Brussels is celebrating this must-read series with "Alone, not even scared (to be scared!)", an immersive exhibition designed to send shivers down young readers’ spines and get their hearts racing… whilst bringing back memories for older visitors.
Meet the heroes created by Fabien Vehlmann and Bruno Gazzotti, with colours by Usagi, and dive into a world where adventure, friendship and mystery go hand in hand.
Step into the world of Alone… if you dare!
Curator: Thierry Bellefroid
Exhibition design: Élodie Descoubes
In collaboration with Publishers Rue de Sèvres and Dupuis.
Comic Art Museum
Brussels
Exhibitions
Alone, Not even scared (to be scared!)
William Kentridge - I am not me, the horse is not mine
William Kentridge began his artistic career at the height of the political struggle against the apartheid regime in his native South Africa. His work bears witness to a profound commitment – at once social, political and poetic – that continues to shape his artistic practice to this day.
Kentridge’s artistic output ranges from drawings, animated films and sculptures to prints, installations and videos. These works often emerge while he is directing a theatre or opera production, another field to which he devotes his energies. I am not me, the horse is not mine, William Kentridge’s solo exhibition at Bozar, offers a comprehensive overview of his oeuvre from the early 1980s to the present day. Several of his major stage productions receive special attention. The exhibition highlights the performative and collaborative nature of Kentridge’s practice, in which he allows art to evolve into a space for political inquiry, historical reckoning and poetic transformation.
William Kentridge will take over one of Bozar’s major exhibition spaces, create site-specific works, and curate a rich, multidisciplinary programme. This is by no means the first time we have welcomed Kentridge to Brussels. He has a long-standing connection with the city, where he premiered his first opera (Faustus in Africa! 1995), and where Bozar presented his first solo exhibition in Europe in 1998.
Bozar - Centre for Fine Arts
Brussels
Exhibitions
William Kentridge - I am not me, the horse is not mine
Val Saint-Lambert & Design
In 1826, François Kemlin and Auguste Lelièvre founded the public limited company ‘Verreries et Établissements du Val Saint-Lambert’ in Seraing. The glassworks quickly benefited from considerable investment, which promoted technical progress, the growth of exports and the promotion of a young national industry. In 1879, they became Cristalleries du Val Saint-Lambert, a key player that successively bought up several glassworks and, between 1880 and 1914, enjoyed a real golden age: more than 5,000 workers, outlets all over the world and a reputation consolidated by prestigious participations in the World’s Fairs, from 1894 in Antwerp to 1925 in Paris. Throughout its existence, Val Saint-Lambert has successfully reinvented itself, navigating the Art Nouveau era, the 1930s and the post-war period by collaborating with renowned artists and designers: Léon Ledru (1855–1926), the Muller brothers (Henri Muller, 1868–1936; Désiré Muller, 1877–1952; Eugène Muller, 1883–1914), Charles Graffart (1893–1967), René Delvenne (1901–1968), Yan Zoritchak (born in 1944) and Philippe Starck (born in 1949).
In 2026, Cristalleries will celebrate its bicentenary. To mark this anniversary, the Design Museum Brussels is joining forces with several museums and scientific institutions to highlight this jewel of Belgian industrial heritage and creativity. In collaboration with the Charleroi Glass Museum and curated by Catherine Thomas and Anne Vanlatum, the exhibition Val Saint-Lambert & Design at the Design Museum Brussels is dedicated to the creative output of Val Saint-Lambert from the 1958 World’s Fair to the early 2000s, a period that witnessed an unprecedented creative renewal. It embodies Val Saint-Lambert’s desire to preserve craftsmanship while bringing it into the modern era and engaging in constant dialogue with design. In line with the American Studio Glass movement, it opened its doors to international artists and designers who, alongside the crystal factory’s master glassmakers, experimented with new forms and pushed the boundaries of creation. Crystal, a material that symbolises artisanal excellence, became the medium for bold creations, combining traditional know-how with aesthetic innovations. Created in 1989 under the impetus of director Patrick Depuydt, the Crystal Studio marked a decisive step in the history of Val Saint-Lambert.
Through this joint exhibition, the Design Museum Brussels and the Charleroi Glass Museum invite their visitors to discover the Crystal Studio, a founding chapter in the contemporary history of glass, reflecting the dynamism, the innovation and the international influence of the Cristalleries du Val Saint-Lambert.
Design Museum Brussels
Laeken
Exhibitions
Val Saint-Lambert & Design
Mayhem at the Workshop!
The 2025–2026 Master’s students at ESA Saint-Luc are exhibiting the work they created during their residency
Every year, young artists complete their training in comic art with a project that marks the culmination of several years of research, experimentation and creative work. This exhibition brings together the work of Master’s 2 students from the École supérieure des Arts Saint-Luc in Brussels, produced during their residency at the Comic Art Museum.
For five months, the Comic Art Museum hosted the students in residence at the Maison Marc Sleen. This residency enabled the students to experience life in a studio, build a sense of community, and develop their final-year projects whilst already having one foot outside the school.
By opening its workspaces to these future professionals, the museum reaffirms its commitment to supporting contemporary creativity and nurturing emerging talent. This exhibition offers a glimpse into the richness of the visual and narrative styles currently shaping the young comics scene, whilst introducing readers to comic creators whose first books are set to be published in the coming years.
Comic Art Museum
Brussels
Exhibitions
Mayhem at the Workshop!
Jean Brusselmans
Painter by Nature
Bozar presents a major retrospective of the painter Jean Brusselmans (1884-1953), the first comprehensive exhibition of his work since 1980. From the early 20th century onwards, Brusselmans developed a distinctive body of work, independent of artistic trends yet firmly rooted in painterly tradition. His deep connection to the Brabant landscape and his modest way of life are translated into an authentic and recognisable visual language, situated at the intersection of abstraction and figuration. Through some 120 works, the exhibition introduces visitors to the remarkable oeuvre of a still underappreciated Belgian artist. Dialogues with contemporaries such as Fernand Léger, Piet Mondrian and Rik Wouters offer a fresh perspective on his work. The exhibition also highlights Brusselmans' decorative commissions for the theatre, including the monumental sets he designed for the first French-language production of the opera Erwartung by Arnold Schoenberg at the Centre for Fine Arts in 1936. These lost stage designs are brought back to life by the contemporary Belgian painter Kristof Santy (b. 1987), who frequently draws inspiration from Brusselmans in his own work.
Partners: Royal Museums of Fine Arts of Belgium, KBR, MSK Ghent, Musea Brugge, Mu.ZEE, Royal Museum of Fine Arts Antwerp
A ticket for the exhibitions of William Kentridge, Jean Brusselmans, Edith Dekyndt x Cristóbal Balenciaga or Central. Never Alone gives you free access to the exhibition House of Memory / by Basil Al-Rawi on the same day.
Bozar - Centre for Fine Arts
Brussels
Exhibitions
Jean Brusselmans
Michel Butor & Ania Staritsky « Lorsque deux têtes de cochons se rencontrent... »
Wittockiana: Museum of book arts and bookbinding
Woluwe-Saint-Pierre
Exhibitions
Michel Butor & Ania Staritsky « Lorsque deux têtes de cochons se rencontrent... »
Heartwarming Stories
This year, the King Baudouin Foundation celebrates 50 years of giving together. Through a series of photographs, discover 16 projects making a real difference. Be inspired by these human stories and vote for your favorite photo.
Discover 16 inspiring stories of projects making a real difference, in Belgium and beyond, through a unique photographic journey. Each image captures a moment in time and reveals the lasting impact behind it.
From 1 September to 17 October, the King Baudouin Foundation presents a selection of initiatives made possible through 50 years of shared commitment to social change and solidarity.
As you explore these human stories, we invite you to look beyond the photographs, connect with the emotions they evoke, and rediscover the power of collective action.
Vote for your favourite photo!
Be inspired by the 16 stories on display on the museum’s ground floor and take part in the People’s Choice Award by voting for the photograph that resonates most with you.
BELvue museum
Brussels
Exhibitions
Heartwarming Stories
Ali Cherri - 'Soul Witness'
For the first time, several of Ali Cherri’s major bodies of work are gathered, including his upcoming film The Sentinel (2026). Alongside, a series of sculptures, watercolour drawings and installations act as a sustained inquiry into how institutions of power — the nation-state, the military and even the museum — shape the ways history is constructed and remembered.
Wiels - Contemporary art centre
Forest
Exhibitions
Ali Cherri - 'Soul Witness'
Autoworld 40 Years – Looking back to the future
From 11 September to 13 December, Autoworld will bring back to the museum the crème de la crème of more than 100 temporary exhibitions. The exhibition will feature cars and motorcycles that have appeared in one of Autoworld’s many past exhibitions and that each have a special link with the history of the museum.
From 11 September to 13 December, Autoworld will bring back to the museum the crème de la crème of more than 100 temporary exhibitions. The exhibition will feature cars and motorcycles that have appeared in one of Autoworld’s many past exhibitions and that each have a special link with the history of the museum.
‘Autoworld 40 Years – Looking back to the future’ will not be a classic retrospective, but an eclectic and surprising look back at 40 years of Autoworld. Visitors will discover vehicles ranging from pre-war models to modern supercars, including the Bugatti Type 35, the Lamborghini Miura, the rare Muntz Jet, the unique Toyota 2000GT Targa from James Bond, the “flying” Citroën DS and the Porsche 918.
The latter is coming at the request of the public. In July, Autoworld asked visitors which cars they would like to see again at the museum. The answers were enthusiastic and remarkably diverse, but one thing became clear once again: supercars remain extremely popular. The Porsche 918 clearly stood out as the most requested car. We are therefore delighted to announce its presence.
Each vehicle will be linked to the exhibition in which it was once displayed. The exhibition will also include a wall presenting an overview of all the exhibitions Autoworld has organised over the years. A short video will summarise 40 years of Autoworld through images, moments and memories from the museum’s history.
Autoworld
Brussels
Exhibitions
Autoworld 40 Years – Looking back to the future
Museum of museums
Works from the Art et marges museum collection successively transform the spaces in which they are displayed.
A botanical garden, a planetarium, an anthropological cabinet, a folklore museum… these settings unfold before the viewer like a series of temples, each infused with its own atmosphere by the Muses. Is the museum a sacred place?
MUSEUM OF MUSEUMS sets out to dismantle the walls we so often imagine standing between artwork and audience. Through scenographic and educational displays inspired by different museum typologies, and with objects brought out from the reserves, visitors are invited to immerse themselves in the exhibition as a total experience.
Amid the Art brut collections — between tissue paper and the scent of popcorn (come and see for yourself!) — works from the contemporary visual arts scene also appear. While the Art et marges museum may delight, for the occasion, in spotting categories everywhere, its true specialty lies in creating dialogue between them.
Seyni Awa Camara, Pierre Bonvoisin, Charlotte Beaudry, Géraldine Beaupère, Bernd & Hilla Becher, Umberto Bergamaschi, Jean-Baptiste Bernadet, Alexandre Bernardi, Pascal Bernier, Ghyslain Bertholon, Anacleto Borghi, Magali Cadelli, Solène Calderon, Alejandro Cardenas, Ignacio Carles Tolra, Pierre Coene, Tony Convey, Georges Counasse, Caroline Dahyot, Michel Dave, Clément Davout, Alain Delaunay...
Art & marges museum
Brussels
Exhibitions
Museum of museums
In the footsteps of Bart Van Loo and the Burgundians
Bart Van Loo invites you to view one of the most fascinating periods of our history through his eyes: an era in which art and power elevate one another to new heights.
Together with KBR, he has created a remarkable museum route. Here you will discover original watercolours by Jean-Léon Huens, presented alongside exceptional manuscripts, prints and engravings from the KBR collections.
These documents illustrate Bart’s fascination with history and make the world of the Burgundian court tangible. For this route, he wrote texts that capture the Burgundian origins of our shared history.
Continue your discovery in Brussels
Your journey through the Burgundian world does not have to end at the KBR museum. With the podwalk In the footsteps of the Burgundians, Bart Van Loo guides you through Brussels.
Using the VRT PodWalks app, you walk past places where the Burgundian past can still be felt today , from Place Royale, via Hotel Ravenstein and the Nassau Chapel, to the Grand Place and St Michael and St Gudula Cathedral.
KBR
Brussels
Exhibitions
In the footsteps of Bart Van Loo and the Burgundians
