Greek & East Mediterranean Traditions
Greek & East Mediterranean Traditions
Dimitris Rossidis & Nicolas Hauzeur invite Apostolos Maris( Syros island)
* Apostolos Maris: kanonaki, ney, voice
* Dimitris Rossidis: guitar, voice
* Nicolas Hauzeur: violin
Greek & East Mediterranean Traditions
Behind every traditional tune lies a true story—a village celebration, a journey across the sea, or a shared history passed down through generations.
Join Apostolos Maris (kanonaki, ney, voice), Dimitris Rossidis (guitar, voice), and Nicolas Hauzeur (violin) for an evening of authentic Greek and East Mediterranean music.
Together, they share the real narratives behind these traditional songs, combining faithful interpretations with live improvisations that reflect their own musical journeys.
Join us for an honest, heartfelt night of true musical heritage!
https://www.youtube.com/@ApostolosMaris
Art Base, Thursday 15/10/26 20h, 17,50E ( reduced 12,50E for students under 26 and jobseekers),
29 rue des Sables Zandstraat, 1000 Bruxelles, https://www.art-base.be.
For reservations please send to info2@art-base.be
Art Base
Brussels
Concert
Greek & East Mediterranean Traditions
Adrien Tyberghein Trio
ODYSSEY is a project that explores the cultural roots of a long-standing jazz style and contemporary music, drawing on a range of influences – oral traditions and rhythms that inspire a contemporary musical idiom. Envisioning a continuous sonic journey, ODYSSEY pays close attention to form and emphasises transitions, textures and soundscapes, creating a journey through the sequence of tracks.
Throughout the project, Adrien Tyberghe acts as an instrument of transformation. Through bowing, pizzicato and extended techniques, he embodies all the different roles – rhythmic, melodic, percussive, textural and harmonic – drawing on various musical genres. The trio (double bass, piano, drums) serves as the starting point, around which diverse forms and presences unfold. Depending on the piece, guest musicians – trumpet, percussion, strings, vocals – broaden the soundscape and open up new narrative spaces. With its forms and constant evolution, ODYSSEY offers music in motion, founded on listening, the fluid exchange of roles and the meeting of cultures and imaginations. Through music, it affirms a form of sensitive tolerance: the coexistence of differences, mutual understanding and shared experience.
Le Baixu
Brussels
Concert
Adrien Tyberghein Trio
Tribute to Oscar Peterson
Oscar Peterson may be the most popular pianist in jazz history. His exceptional skills and his ability to entertain audiences made him a beloved figure all over the world. During this very special evening, this trio, composed of three of the most in-demand jazz musicians on the Belgian scene, will share their passion by performing Oscar Peterson’s compositions, arrangements of standards, as well as their own interpretations. Get ready for a tribute to the most swingin’ trio ever!
The Music Village
Brussels
Concert
Tribute to Oscar Peterson
Bai Kamara Jr. (solo)
mOtown concerts
Saint-Josse-Ten-Noode
Concert
Bai Kamara Jr. (solo)
Lorenzo Gatto & Friends at Concerts de Midi
Lorenzo Gatto opens the Concerts de Midi season with his friends in a program titled “Open Road.”
Karavan consists of Lorenzo Gatto (violin), Julia Kotarba (cello), Natalia Kotarba (violin), Mikko Pablo (cello), Anouchka Scaillet (violin), and Diede Verpoest (viola). Along the way, they’ll be joined by guest musicians such as Kaito Winse, Ambi Subramaniam, Simon Leleux, Karim Baggili, Tristan Driessens, and Julien Brocal.
Join Karavan on a unique musical journey, blending timeless classics with original compositions. Guided by a well-worn manuscript of Vivaldi’s Four Seasons, the musicians invite you to rediscover forgotten fragments. The adventure begins.
Antonio VIVALDI (1678–1741)
The Four Seasons
https://www.youtube.com/watch?v=-tkO-bv9X4c&list=RD-tkO-bv9X4c&start_radio=1
MIM - Musical Instruments Museum (MRAH)
Brussels
Concert
Lorenzo Gatto & Friends at Concerts de Midi
Key Time : Joachim Caffonnette & Adinda Hertmans
New weekly rendezvous!Every Thursday, start your evening the right way — after work, before dinner, or as a prelude to the night’s concert — with the finest local pianists playing timeless standards in a warm piano-bar atmosphere.In partnership with Omer!
Joachim Caffonnette (piano) ; Adinda Hertmans (voc)
Toots Jazz Club
Brussels
Concert
Key Time : Joachim Caffonnette & Adinda Hertmans
Piments Oiseaux
Led by clarinettist Anton Kerkhof, Piment Oiseau is a quartet specialising in the music of New Orleans and the Caribbean. In search of forgotten gems and driven by an almost mystical respect for the tradition of hot jazz, this group of old-school jazz specialists invites you on a journey down the languid waters of the Mississippi, with the scent of Creole spices in your nostrils and original syncopated rhythms that get under your skin.
Anton Kerkhof (cl) ; Benjamin Clément (gt) ; Antoine Maes (cb) ; Laurent Vigneron (d)
Toots Jazz Club
Brussels
Concert
Piments Oiseaux
Vaiana/Robert/Fiorini 'Daedalos'
Jazz Station
Saint-Josse-Ten-Noode
Concert
Vaiana/Robert/Fiorini 'Daedalos'
The Gospel
On the first day these 3 musicians felt inspired by the traditional repertoire, translating songs of freedom then to songs of freedom now. Amen!
Gospel in the streets, groovin’ in the sheets.
Daniel Jonkers - Drums
Lukas Somers - Fender VI
Jeroen Capens - Saxophone
Muntpunt Stadsoase
Brussels
Concert
The Gospel
TrioFenix
In 2027, it will be exactly three hundred years since the birth of Johann Gottlieb Goldberg, the harpsichordist after whom Johann Sebastian Bach’s famous Goldberg Variations are named. Like many keyboard players, the Belgian string trio TrioFenix has made the set of variations almost a signature work over the years. As the crowning achievement of twenty years of steadfast friendship and artistic collaboration, the trio released its recording of the Goldberg Variations in February 2026. Their interpretation of Bach’s seminal work brings together everything TrioFenix stands for: crystal-clear ensemble playing, a refined balance and expressive depth – in short, chamber music as an art of dialogue and attention to detail.
Flagey
Ixelles
Concert
TrioFenix
Cochemea
Music runs through the veins of multi-instrumentalist and composer Cochemea Gastelum. Descended from a long line of musicians, he explores his roots in the Indigenous Yaqui culture on Vol. 3: Ancestros Futuros, the third chapter of a trilogy released on the prestigious Daptone Records label. Through this spiritual journey, he builds a musical world of his own at the crossroads of past, present, and future, where memory and imagination intertwine. Traditional rhythms blend with influences from funk, R&B, and Latin jazz to create a cosmic flow of energy. Deeply rooted in tradition, yet with an open gaze toward the future.
album presentation: Vol III: Ancestros Futuros (2025, Daptone Records)
Flagey
Ixelles
Concert
Cochemea
Fred Hersch
For decades, American jazz master Fred Hersch has been shaping contemporary jazz with a piano style defined by focus, vulnerability, and lyricism. With The Surrounding Green (2025, ECM Records), he adds a new chapter to his already impressive body of work. His signature velvety touch and flowing piano lines connect original compositions, arrangements, and improvisations into a whole that feels both natural and refined. Together with bassist Drew Gress and drummer Joey Baron, his partners on the album, Hersch brings this music to the stage. With rare ease, the trio unfolds rich, seemingly endless melodies in which no note is superfluous and every nuance matters.
album presentation: The Surrounding Green (2025, ECM Records)
Flagey
Ixelles
Concert
Fred Hersch
Nostos: Tarantella Underground South Italy
Nostos proposes an exciting emotional music performance, interpreting the temperament and passion of Mediterranean living. Starting from the traditional music of Southern Italy, which incorporates the Greek language tradition, they praise life and love even when the sound is melancholic : Tarantella and Pizzica Pizzica, nostalgic songs and hymns of love, Napolitan songs with baroque echoes, all an expression of times of unrest, coming from the past.
Ettore Pastena – canto e castagnette
Claudia Giannotta- tamburello e canto
Olga Groppo - violino
Domenico Panella – tamburi, chitarra e canto
Vangelis Charamis - chitarre
https://www.youtube.com/@NostosNostos
Art Base, Friday 16/10/26 20h, 20E ( reduced 15E for students under 26 and jobseekers),
29 rue des Sables Zandstraat, 1000 Bruxelles, https://www.art-base.be.
For reservations send to to info2@art-base.be
Art Base
Brussels
Concert
Nostos: Tarantella Underground South Italy
There will never be another Toots
I still get very emotional when I think of our discussions. The last time he called me was to tell me that he had recommended me. Another time, he said to me: You didn't choose an easy path. But I see you have a personal style. That's very good and then he talked about the importance of playing another instrument and the legato... Lots of emotions …
The Music Village
Brussels
Concert
There will never be another Toots
Simon Comté / Eliott Knuets Quartet
Toots Jazz Club
Brussels
Concert
Simon Comté / Eliott Knuets Quartet
"Variations. L'art et le silence - Le silence et l'art"
The piano, the starting point of the creative process, silently opens up the stage space with its imposing volume, its curves and lines, its play of light and shadow. Its presence sets the tone, initiates the first breath, and gradually unfolds this continuous questioning, within the temporality of a present so deeply inhabited.
At the intersection of reality and the imagination, where one person’s truth is never another’s, art and silence are constantly reinventing themselves in this liminal space of the fleeting moment. From silence to sound, from stammering to speech, from the vibrational to the physical, from thought to language, this piece explores and allows itself to be traversed by this perpetual back-and-forth movement, in a state of ambiguity and distance from the self.
This initial voice of the piano gives the floor in turn to the other lines—visual, textual, textile, scenographic—until it shifts towards those interstices that invite us to see what cannot be seen, to hear what cannot be heard, to perceive what cannot be perceived.
The performance gives substance to this continuum of modulations, supporting through dance or the gaze this mystery of transition. This presence embodies these dual movements between emptiness and fullness, darkness and light, past and future. A stance that dares to let itself be traversed into a state of being outside oneself.
Le Baixu
Brussels
Concert
"Variations. L'art et le silence - Le silence et l'art"
The Late Jam with Manolo Cabras
After the weekend concerts, come and enjoy a drink in the company of jazz musicians who gather on our stage to trade licks on timeless standards. A trio takes to the stage at 11pm and keeps the musical jousting flowing smoothly into the small hours. Free entry — a hat is placed by the piano should you wish to support the artists and the Toots cultural project.
Manolo Cabras and guests
Toots Jazz Club
Brussels
Concert
The Late Jam with Manolo Cabras
Kim Versteynen & Tim Finoulst
Jazz Station
Saint-Josse-Ten-Noode
Concert
Kim Versteynen & Tim Finoulst
Simon Comté / Eliott Knuets Quartet
A meeting of two of Belgian jazz’s most incredible talents!Aged 21 and 22 respectively, Simon Comté and Eliot Knuets are smashing all records for precocious talent and have been impressing the jazz scene, from Brussels to New York, ever since they were teenagers. Simon has already been invited to perform as a soloist with the WDR Big Band, has won a DownBeat award, and is a student at the highly prestigious Manhattan School of Music. Eliot is studying at Europe’s finest jazz school in Basel and has been invited to perform at Lincoln Centre by Wynton Marsalis himself. That alone says it all.We are delighted to welcome these two musicians of the very, very highest calibre for an intimate performance, before they become a fixture only in major concert halls and at international festivals.
Simon Comte (Sax) ; Eliott Knuets (Guitar) ; Michael Gilbert (Bass) ; Genius Wesley (Drums)
Toots Jazz Club
Brussels
Concert
Simon Comté / Eliott Knuets Quartet
Jali
Le Petit Théâtre - Collège Saint-Pierre
Uccle
Concert
Jali
Baraka Sounds: Women in Dhrupad
Settle onto rugs and cushions for an evening of North Indian classical music, dhal, chai and connection.
A moment to slow down and unwind. Settle onto rugs and cushions, enjoy dhal and warm chai, and immerse yourself in dhrupad: an ancient, meditative form of North Indian classical music centred around voice, breath and silence. Music that invites deep listening. With Marianne Svašek and Meghana Sardar, we celebrate two powerful female voices in a tradition still largely dominated by men. They are joined by Nathanaël van Zuilen and Nikhil Ghorpadkar on pakhawaj, and Marianne Bies and Jurian Reinartz on tanpura. Come listen, slow down and share a warm evening of music, food and connection. Timing 19:00 doors & dinner 19:45 first concert 21:15 chai & dinner break 21:45 second concert 23:00 end
De Vaartkapoen @ Shoolstraat
Molenbeek-Saint-Jean
Concert
Baraka Sounds: Women in Dhrupad
Belgian National Orchestra & Stockhammer
Cine-concert: A Radioactive Reminder
This is not a standard concert, but a total experience in which music and image merge to fully immerse the audience. Sound becomes space; time becomes tangible. And at the heart of this multisensory performance lies an essential question: what challenges does nuclear waste pose today, tomorrow and beyond?For this project, acclaimed young Belgian filmmaker Dimitri Sterkens creates a new film in which image and music do not illustrate one another, but intensify each other. In collaboration with NIRAS/ONDRAF (the National Agency for Radioactive Waste and Enriched Fissile Materials), this unique project addresses issues of temporality, vulnerability and legacy for future generations.From the pulsing drive of Jessie Montgomery's Starburst to the hushed tension of Philip Glass' String Quartet, each composition opens a new dimension of listening. Penderecki's searing Threnody for the Victims of Hiroshima cuts to the core, while Max Richter's November expose an almost unbearable vulnerability. Between motion and stillness, between threat and contemplation, a sonic landscape unfolds - one that resonates with our time, our world, and the one we will leave to the next generations.Thanks to the players of the National Lottery and to the Tax Shelter of the Federal Government of Belgium through Gallop Tax Shelter.
Belgian National Orchestra (orchestra), Jonathan Stockhammer (conductor), Dimitri Sterkens (filmmaker)
Bozar - Centre for Fine Arts
Brussels
Concert
Belgian National Orchestra & Stockhammer
Brussels Philharmonic & Ilan Volkov
Forget the ticking of the clock — here, music doesn’t rush forward, but grips the present moment. Raven Chacon, Tyshawn Sorey, Annea Lockwood and George Lewis ask us to listen differently: what remains when the noise falls away?
Raven Chacon, the first Native American Pulitzer winner, usually tackles history and politics. With Inscription, however, he lets the music speak for itself. Inspired by 1,000-year-old New Mexican petroglyphs, he treats ancient rock art as musical prompts: 'They looked like violin cues or bass clarinet vibratos to me.' Breaking from rigid tradition, Chacon uses graphic scores and microtones, treating every orchestral player as an 'autonomous sound-maker.'
Then, the tempo drops to a near-standstill. Tyshawn Sorey’s Adagio (For Wadada Leo Smith) is a monumental lesson in patience, moving with the majestic, imperceptible crawl of a glacier. Amidst the near-silence, a slowly rotating alto sax melody offers a steady hand to hold.
But silence is an illusion. Unless time stops, the world—nature, the city, our own bodies—is always loud. These are the raw materials of Annea Lockwood. In Saouah!, she blurs the lines between voice, breath, and instrument, inviting us to stop hunting for harmony and start feeling the physical resonance of sound itself.
Finally, George Lewis explores time as 'wear and tear': “Weathering mirrors the stamina needed to endure systemic racism—the chronic stress of a permanent 'fight or flight' mode. I hope my music does noy cause stress, but sparks empathy. After all, this kind of weathering affects us all."
LAB-SERIES 26-27
Stretching seconds, stripping Ears. Time is of the essence.
With the LAB-SERIES, Brussels Philharmonic brings together musical experiment, interaction, and total immersion. Expect eclectic concert nights with striking programmes, pre- and post-concert talks, interactive installations, and listening sessions.
A Glitch in the Hourglass
This season, the LAB-SERIES lets go of time as we know it. Time is shaped, stretched, or brought to a standstill. Physical interventions shift your sense of time, while composers sharpen its urgency. In that collision, a world of experiment opens up. Dive in, be surprised, and see where your curiosity takes you.
Flagey
Ixelles
Concert
Brussels Philharmonic & Ilan Volkov
Flamenco Tablao! Elena La Grulla, Patricio Grande Jose El Titi, Juan Torres
Tonight Art Base will be transformed into a true flamenco sanctuary for an intimate night full of passion, rhythm, and soul. A unique performance featuring renowned artists of the flamenco scene:
Elena La Grulla, a dancer of commanding presence and raw emotional power, will take the stage with her evocative footwork, expressive arms, and deep connection to flamenco’s roots. Her dance is a living tribute to the purest form of the art.
On guitar, the talented Patricio Grande, a master of accompaniment and flamenco guitar, will weave emotion and rhythm with every string. His refined technique and sensitivity will set the perfect mood for an unforgettable evening.
On vocals, two powerhouse voices:
José El Titi, with a rough, soul-stirring voice steeped in emotion and
experience.
Juan Torres, from Estrémadure and Sevilla, with his strong and all-captivating voice.
An evening of authenticity, intensity, and the spellbinding spirit of
flamenco at its finest.
https://www.elenalagrulla.com/jose-ligero
https://www.youtube.com/watch?v=IIxMwyljyAg
https://youtu.be/IIxMwyljyAg?si=DKuIlD7dfhQFy_T2
Art Base, Saturday 17/10/26 20h, 20E ( reduced 15E for students under 26 and jobseekers),
29 rue des Sables Zandstraat, 1000 Bruxelles, https://www.art-base.be.
For reservations send to to info2@art-base.be
Art Base
Brussels
Concert
Flamenco Tablao! Elena La Grulla, Patricio Grande Jose El Titi, Juan Torres
XIME MONZÓN BAND
Xime Monzón has established herself as one of the best known blues harmonica players in South America. She has performed widely in clubs and festivals in Brazil, Mexico, Chile, Uruguay, Germany, France, Austria, the Netherlands, Spain, Belgium, Czechia, Slovakia as well as throughout her native Argentina. BRBC houseband Midnight Mary will open the concert.
Xime Monzón (vocals, harmonica), Anita Fabiano (piano), Federico Verteramo (guitar), Mauro Bonamico (bass), Mattieu Wanderscheid (drums)
Toots Jazz Club
Brussels
Concert
XIME MONZÓN BAND