La cité-jardin Logis-Floréal
Corner of Avenue des Ortolans and Rue du Pinson
Watermael-Boitsfort
Guided tours
La cité-jardin Logis-Floréal
Mad Max 2
In the post-apocalyptic Australian wasteland, a cynical drifter agrees to help a small, gasoline rich, community escape a band of bandits.
A one-off screening as part of Financité’s Ciné-bingo (in French).Whilst watching a mainstream film, you’re invited to spot the economic and financial issues hidden within the plot. A character getting into debt, a sudden windfall, or workers organising themselves. When the scene appears, you mark it off. And when the card is full… Bingo! Playing the game gives you the chance to watch and rewatch these films through a new lens.
Flagey
Ixelles
Cinema
Mad Max 2
RAP JAM OPEN MIC
LIVE BAND + OPEN STAGE
Théo Füeg keys
Abdellah el Khajlani guitar
Alice loparic bass
Carla biber drums
HOST MC: DOUMA DYNAMIC
BAND CURATED BY THÉO / CALLIGRAFFERZ
A real RAP JAM, open to MCs and musicians.
For this new edition, Théo from Calligrafferz brings together a live band especially for the night. After a first live set, the stage will gradually open up and turn into a real jam: from 10:30 PM, MCs and musicians can jump in, freestyle, bring their own lyrics and build the music together live.
No pre-selected MCs this time, no prepared cypher. The mic is open and the night will take shape in the moment.
Douma Dynamic will be the host MC, guiding the jam and keeping the energy moving between the band, the MCs and the crowd.
LIVE BAND + OPEN STAGE
Théo Füeg keys
Abdellah el Khajlani guitar
Alice loparic bass
Carla biber drums
HOST MC: DOUMA DYNAMIC
BAND CURATED BY THÉO / CALLIGRAFFERZ
⏰ TIMETABLE
* Open door - 19:00
* STAGE OPEN MC - 20:00
* STAGE OPEN MC + MUSICIANS - 22:30
* End - 01:30
Sounds Jazz Club
Ixelles
Concert
RAP JAM OPEN MIC
À cheval sur le dos des oiseaux
Le Senghor - Centre Culturel d’Etterbeek
Etterbeek
Theatre
À cheval sur le dos des oiseaux
La vie n’est pas utile
Théâtre Varia
Ixelles
Show
La vie n’est pas utile
L’invisible n’est pas inexistant
Théâtre Varia
Ixelles
Theatre
L’invisible n’est pas inexistant
The Invite
Joe and Angela's marriage is on thin ice. When they invite their enigmatic upstairs neighbors for a dinner party, the night spirals into unexpected places.
Flagey
Ixelles
Cinema
The Invite
L'Empereur des Boulevards ou l'incroyable destin de Georges Feydeau
La Clarencière
Ixelles
Show
L'Empereur des Boulevards ou l'incroyable destin de Georges Feydeau
Laetitia Mampaka - Il était une joie
ELLE ENTERRE LA CONCURRENCEElle avait quitté le TTO en star… elle y revient (dans la grande salle) en confirmation mondiale. Laetitia Mampaka, diva de naissance, enflamme les publics de France, Suisse, Canada, RDC et évidemment de Belgique depuis 2020. Chroniqueuse à la RTBF et dans Les Piquantes sur Téva, elle déploie sur scène un univers bien à elle. Son spectacle raconte son histoire, celle d’une étoile hollywoodienne autoproclamée née à 10 000 km des flashs et tapis rouge. Un conte parodique où elle revisite sa vie avec humour : une mère qui la voit comme un clown, une carrière d’avocate sacrifiée et un parcours vers les paillettes semé d'embûches. Faire rire plus de 80 chefs d’État à l’Élysée ? Check. Assurer la tournée des Zéniths de Montreux Comedy ? Check. Nominée aux Magritte ? Check. Devenir la voisine de Denzel à Beverly Hills ? C’est en cours. Bref, venez la voir avant que Los Angeles nous la prenne !Avec Laetitia Mampaka Coproduction Théâtre de la Toison d’Or et BJX © Photo Wass_creates
TTO - Théâtre de la Toison d'Or
Ixelles
Theatre
Laetitia Mampaka - Il était une joie
Digger
The most powerful man in the world (Tom Cruise) embarks on a frantic mission to prove he is humanity's savior before the disaster he's unleashed destroys everything.
Flagey
Ixelles
Cinema
Digger
Copenhagen
They were friends before the world went to war. One evening left a question history has never answered. Michael Frayn’s multi-award-winning Copenhagen revisits one of the greatest mysteries of the Second World War.
They were friends before the world went to war.
Niels Bohr and Werner Heisenberg once worked closely to unlock the secrets of the atom. Then war placed them on opposite sides. It’s 1941. Heisenberg visits Nazi-occupied Copenhagen to meet his former mentor, Bohr, and wife, Margrethe. What passed between them has never been agreed upon. As the three revisit that fateful evening, memories clash, motives are questioned, and certainty proves elusive.
Starring Eva Fontaine (Amandaland, BBC), Peter Hald (The Bridge, SVT/DR), and Manuel Klein (War Horse, National Theatre), Michael Frayn’s multi-award-winning play Copenhagen returns one of the greatest mysteries of the Second World War: Why did Heisenberg come?
Copenhagen by Michael Frayn
Directed and designed by Robert Chevara
15 October - 6 November 2026, Tuesday-Sunday at 19:30 plus Sunday matinee at 14:30
La Maison Qui Chant - Rue du Viaduc 122, Ixelles
Language: English
Tickets: 25€ - 45€
For more information and tickets: https://thebridge.brussels/Copenhagen
Starring: Eva Fontaine (Amandaland - BBC), Peter Hald (The Bridge, SVT/DR), and Manuel Klein (War Horse - National Theatre).
Directed and Designed by Robert Chevara
Lighting Designer: Nico de Rooj
Sound Designer: Ioanna Mandrescu
Costume Designer: Sam Ceci
La Maison Qui Chante
Ixelles
Theatre
Copenhagen
Sophie Kuijken
Galerie Nathalie Obadia
Ixelles
Exhibitions
Sophie Kuijken
Taiwan New Cinema
Developed as part of Michael Lin’s exhibition, Tea Towels and Serviettes, at La Loge, this film programme expands on the Taiwan New Cinema. The movement emerged in the 1980s during a period of significant social and political transformation in Taiwan, as martial law ended and rapid economic growth reshaped the country.
Developed as part of Michael Lin’s exhibition, Tea Towels and Serviettes, at La Loge, this film programme expands on an important reference in the artist’s practice: Taiwan New Cinema.
The movement emerged in the 1980s during a period of significant social and political transformation in Taiwan, as martial law ended and rapid economic growth reshaped the country. As Taiwan’s cities changed over time, the ways people related to one another also evolved, and ideas of “home” began to be redefined, often in relation to urban life. Filmmakers turned their attention to this everyday life, exploring changing relationships between people, the transformation of rural and urban environments, and the emergence of a new middle class. In this context, the films presented in this programme trace a broader genealogy of image-making that connects personal and collective histories to shifting political, social, and cultural realities.
In this programme, Michael Lin invites the Taiwanese collective P.M.S., long engaged with the intersecting discourses of identity, gender, and Indigeneity, to initiate a dialogue through a complementary selection of documentaries and fiction films. In response to Lin’s interest in everyday life and cultural contexts, P.M.S.’s selection brings forward realities and narratives that have coexisted since the 1980s yet have remained marginalised within cinema, moving between the grand currents of the era and the intimate scale of everyday life.
P.M.S. is a Taiwanese collective composed of Posak Jodian, Manman, and Sophie Chen. The name P.M.S. combines the first syllables of their names while also referencing the English acronym for “Premenstrual Syndrome”, reflecting their critical engagement with dominant historical narratives. They also playfully reinterpret it as “Probably Meaning Something”, underscoring their openended and reflective approach to questioning established social and cultural frameworks. Since 2022, the three members have worked collectively on projects exploring the intersections of Indigenous perspectives, gender, and contemporary social issues. They have curated film programmes and screenings across Taiwan, Indonesia, Vietnam, and Japan. Their practice frequently engages with the betel nut as both a cultural symbol and a connective thread, bringing communities together, fostering translocal solidarities among women, and opening space for alternative narratives – one chew at a time.
Practical Information :
15.10–03.12.26, 19:00
All screenings take place at La Loge, except on 12.11, when a special screening will take place at Cinema Galeries, followed by a conversation with Michael Lin and P.M.S.
Language: Original version with English subtitles
Free participation, upon reservation info@la-loge.be
Michael Lin ; P.M.S. Collective ; Cinema Galeries
La Loge
Ixelles
Cinema
Taiwan New Cinema
Regarder, voir, montrer : Photographies des 19e, 20e et 21e siècles
Michael Ackerman, Karl Blossfeldt, Adolphe Braun, Etienne Carjat, Toni Catany, Ralph Gibson, William Klein, Duane Michals, Alfred Stieglitz, Paul Strand,…
box galerie
Ixelles
Exhibitions
Regarder, voir, montrer : Photographies des 19e, 20e et 21e siècles
Camille Pennequin, Colorful Escapes
Camille Pennequin is a painter based in Brussels. Havind graduated in graphic design from the University of the Arts London (UAL Camberwell) and subsequently in jewellery design from the Royal Academy of Fine Arts in Antwerp, she has developed a visual art practice enriched by the precision of drawing, the rigour of craftsmanship and the power of colour.
Camille Pennequin’s world invites us to pause time and let our minds wander. Drawing inspiration from her travels, the artist goes beyond simply depicting the landscape to capture its emotion, light and atmosphere: the enchanting reflections of Venice, the brightness of Menorca and the mystery of Calabria all become fragments of memory.
On the canvas, gouache and oil pastels intertwine in a tactile interplay of textures and reliefs, brought to life by free-flowing brushstrokes and vibrant colours. The energy of the moment blends with memory, making each work a poetic bridge between recollection and wonder.
Chez Martha
Ixelles
Exhibitions
Camille Pennequin, Colorful Escapes
Michael Lin - 'Tea Towels and Serviettes'
In the autumn of 2026, La Loge presents a new work of Michael Lin, an influential artist from a generation of Taiwanese practitioners who gained international prominence in the 1990s and 2000s. Michael Lin (1964) lives and works between Taipei and Brussels. This exhibition marks his first solo presentation in Belgium. Lin will create a large-scale, site-specific installation. He is known for his vivid, expansive works that draw on traditional Taiwanese textile patterns. His practice operates at the intersection of visual art, design, and craft, and has been widely presented in leading biennials and international museum exhibitions.
Michael Lin
La Loge
Ixelles
Exhibitions
Michael Lin - 'Tea Towels and Serviettes'
Edgar Sarin - 'Matthäus-Passion'
The exhibition at Fondation CAB brings together recent works by Edgar Sarin alongside works by Sol LeWitt, Cy Twombly, Robert Barry, Peter Buggenhout, Niele Toroni, Miquel Barceló, Pier Paolo Pasolini, Louise Lawler, Joseph Beuys, Merry Alpern, Brice Marden, and Nan Goldin.
Borrowed from Johann Sebastian Bach, the title Matthäus-Passion refers here to a composition of autonomous voices, in which each presence acts upon the others.
Passion is understood here as a state, one of intensity, where works coexist and test one another. The artist stands amid that which has shaped him, not to produce a synthesis, but to sustain its living tension, beyond homage.
Matthäus-Passion is a place where looking becomes an undeniably physical experience; where art history is no longer a backdrop but an active material; where works do not merely respond to one another ; they persist alongside us.
Fondation CAB
Ixelles
Exhibitions
Edgar Sarin - 'Matthäus-Passion'
Individual tour of Hotel Solvay
Solvay House
Ixelles
Guided tours
Individual tour of Hotel Solvay
Carcosian Film Night part 1
La Carcosian presents a very special evening centred on the restoration of a cult film that has fallen into obscurity: *The Devils*, by Ken Russell. The first part will feature a panel discussion, a presentation of the film (in French) and a competition, followed by three short films in true Carcosian style.
Flagey
Ixelles
Cinema
Carcosian Film Night part 1
Carcosian Film Night part 2
Carcosian Film Night Part 2: the second part will be devoted to the film itself, preceded by a prayer from the Church of the Hellish Bridge
An enduring, singular masterpiece of cinema starring Academy Award®-winner Vanessa Redgrave and Oliver Reed, KEN RUSSELL’S THE DEVILS is a prescient epic of obsession and corruption – and a defining work of art from seminal filmmaker Ken Russell.
Flagey
Ixelles
Cinema
Carcosian Film Night part 2
TrioFenix
In 2027, it will be exactly three hundred years since the birth of Johann Gottlieb Goldberg, the harpsichordist after whom Johann Sebastian Bach’s famous Goldberg Variations are named. Like many keyboard players, the Belgian string trio TrioFenix has made the set of variations almost a signature work over the years. As the crowning achievement of twenty years of steadfast friendship and artistic collaboration, the trio released its recording of the Goldberg Variations in February 2026. Their interpretation of Bach’s seminal work brings together everything TrioFenix stands for: crystal-clear ensemble playing, a refined balance and expressive depth – in short, chamber music as an art of dialogue and attention to detail.
Flagey
Ixelles
Concert
TrioFenix
Cochemea
Music runs through the veins of multi-instrumentalist and composer Cochemea Gastelum. Descended from a long line of musicians, he explores his roots in the Indigenous Yaqui culture on Vol. 3: Ancestros Futuros, the third chapter of a trilogy released on the prestigious Daptone Records label. Through this spiritual journey, he builds a musical world of his own at the crossroads of past, present, and future, where memory and imagination intertwine. Traditional rhythms blend with influences from funk, R&B, and Latin jazz to create a cosmic flow of energy. Deeply rooted in tradition, yet with an open gaze toward the future.
album presentation: Vol III: Ancestros Futuros (2025, Daptone Records)
Flagey
Ixelles
Concert
Cochemea
Fred Hersch
For decades, American jazz master Fred Hersch has been shaping contemporary jazz with a piano style defined by focus, vulnerability, and lyricism. With The Surrounding Green (2025, ECM Records), he adds a new chapter to his already impressive body of work. His signature velvety touch and flowing piano lines connect original compositions, arrangements, and improvisations into a whole that feels both natural and refined. Together with bassist Drew Gress and drummer Joey Baron, his partners on the album, Hersch brings this music to the stage. With rare ease, the trio unfolds rich, seemingly endless melodies in which no note is superfluous and every nuance matters.
album presentation: The Surrounding Green (2025, ECM Records)
Flagey
Ixelles
Concert
Fred Hersch
WONDERLAND - SAINT JAZZ
Colin Debruyne – drums & vocals
Jérôme Vandenbril – guitar
Mathieu Vandenabeele – keyboards
Cédric Raymond – bass
Le Saint Jazz fête ses 40 ans avec le retour exceptionnel de Wonderland
Le vendredi 16 octobre, le Festival Saint Jazz investit le Sounds of Brussels pour une soirée placée sous le signe du funk, de la soul et du groove.
Après avoir fait vibrer les scènes belges il y a une quinzaine d'années, Wonderland se reforme spécialement pour le Saint Jazz. Une occasion unique de retrouver Colin Debruyne (batterie, chant), Cédric Raymond (basse), Matthieu Vandenabeel (claviers, chant) et Jérôme Vandenbril (guitare).
Chacun a un parcours musical riche, nourri par de nombreux projets, mais quand ces quatre-là se retrouvent dans Wonderland, la magie opère. une complicité, une alchimie et un plaisir de jouer ensemble qui donnent à ce groupe son caractère unique.
Ils revisitent les grands classiques de Stevie Wonder, Michael Jackson, Earth, Wind & Fire et bien d'autres, avec une énergie communicative et un vrai goût pour les bonnes vibrations.
Pour cette 40e édition du Saint Jazz, Wonderland vous donne rendez-vous pour une soirée de retrouvailles, de musique et de groove.
Sounds Jazz Club
Ixelles
Concert
WONDERLAND - SAINT JAZZ
Too many beasts
In the French countryside, wild boars have sparked a war between hunters and farmers. When a bigwig pushes a bankrupt farmer, he snaps and vanishes. A year later, Fulda takes charge of the investigation.
Flagey
Ixelles
Cinema
Too many beasts